{"id":50,"date":"2007-05-23T11:54:52","date_gmt":"2007-05-23T18:54:52","guid":{"rendered":"http:\/\/fwdlabs.com\/blog\/2007\/05\/23\/tv-shows-available-online\/"},"modified":"2025-03-24T23:15:35","modified_gmt":"2025-03-25T06:15:35","slug":"tv-shows-available-online","status":"publish","type":"post","link":"https:\/\/fwdlabs.com\/blog\/tv-shows-available-online\/","title":{"rendered":"No TV, No Problem &#8211; How Quality Content Can Succeed Online"},"content":{"rendered":"<p><a target=\"_blank\" href=\"http:\/\/www.youtube.com\/watch?v=uEYCN3hVTYI\"><img decoding=\"async\" id=\"image51\" class=\"imageframe imgalignright\" title=\"Nobody's Watching\" alt=\"Nobody's Watching\" src=\"https:\/\/fwdlabs.com\/blog\/wp-content\/uploads\/nobodys-watching.jpg\" \/><\/a><\/p>\n<p>Wired Magazine ran a blog post on May 21, 2007 about <span class=\"removed_link\" title=\"http:\/\/www.wired.com\/entertainment\/hollywood\/news\/2007\/05\/tvpilots\">failed TV shows going big<\/span>, thanks to their online potential. It&#8217;s no mystery anymore that TV programs new, old or still in development show up online &#8212; often in the same night, legally or otherwise &#8212; and people tune in. When you&#8217;re not &#8220;on the (studio) lot,&#8221; it&#8217;s no loss going online; the producers can at least get someone to watch and maybe recognize their sleeper success. And maybe if they plan it right, with the faux MySpace profiles, convenient &#8220;e-mail to a friend&#8221; sidebars, catchy official sites with community-building plug-ins and the cold calls to YouTube to &#8220;feature me,&#8221; the show might have a chance.<\/p>\n<h2>Where the money&#8217;s going<\/h2>\n<p>In New York City this last week, there was the networks\u00c3\u00a2\u00e2\u201a\u00ac\u00e2\u201e\u00a2 annual &#8220;don&#8217;t-you-know-how-amazing-this-is&#8221; event for media agencies and advertisers called the \u00c3\u00a2\u00e2\u201a\u00ac\u00c5\u201cUpfronts,\u00c3\u00a2\u00e2\u201a\u00ac? where the TV network&#8217;s line-ups are announced and ad buys are made in a frenzy. The big change this time around &#8212; thanks to the advent of Tivo, YouTube, DVR&#8217;s and the increasing coolness of <em>not<\/em> watching TV anymore &#8212; they&#8217;re no longer buying just a primetime slot. AdWeek notes (link no longer online) that it&#8217;s now about &#8220;live-plus-same-day&#8221; or &#8220;live-plus-three-day,&#8221; since people aren&#8217;t glued to the tele at the original airtime.<\/p>\n<h2>Reinventing the remote control<\/h2>\n<p><span class=\"removed_link\" title=\"http:\/\/www.joost.com\/\"><img decoding=\"async\" alt=\"joost-interface.jpg\" class=\"imageframe imgalignright\" id=\"image53\" src=\"https:\/\/fwdlabs.com\/blog\/wp-content\/uploads\/joost-interface.jpg\" \/><\/span><\/p>\n<p>Of course, one start-up that pleases both producers and advertisers &#8212; excluding the &#8220;user generated&#8221; echelon &#8212; is <span class=\"removed_link\" title=\"http:\/\/www.joost.com\/\">Joost<\/span>. This soon-to-launch online video distribution platform is a big deal and its gearing up to take on your primetime viewing rituals. Think of it as how <span class=\"removed_link\" title=\"http:\/\/www.apple.com\/itunes\/store\/tvshows.html\">iTunes handles television shows<\/span>: democratizing the solo episode, but for free. In the last two months, since their first commercial aired during the Super Bowl, Joost made deals where YouTube and News Corp. could not: they wrangled Viacom, CBS, Warner Music Group, CNN, Sony and others like Creative Artists Agency, Sports Illustrated, NHL and Hasbro. (Check <a target=\"_blank\" href=\"http:\/\/www.techcrunch.com\/tag\/joost\">Techcrunch&#8217;s<\/a> regular coverage.) And in terms of advertising, the model for Joost is &#8212; for now &#8212; quality over quantity. (Read <a target=\"_blank\" href=\"http:\/\/www.wired.com\/wired\/archive\/15.02\/trouble.html\">Wired Magazine&#8217;s interview<\/a> [2\/2007]; Kazaa and Skype are part of the track-record for Joost&#8217;s founders.) Since they&#8217;ll be able to target your show, zip code and recency of viewing, you&#8217;ll see a five- to ten-second ad pop-up over the show.<\/p>\n<h2>Ad-supported free TV is quite a turn on<\/h2>\n<p>Here are some example trends of existing ad-supported free TV:<\/p>\n<ul>\n<li>&#8220;<a target=\"_blank\" href=\"http:\/\/www.nbc.com\/Video\/rewind\/full_episodes\/30rock.shtml\">30 Rock<\/a>&#8221;<br \/>\nRecent entire episodes on NBC.com\u00c3\u00a2\u00e2\u201a\u00ac\u00e2\u201e\u00a2s own video player (Flash)<br \/>\nSeparated into 4 parts with single-sponsor ad 4 times per half-hour per show<\/li>\n<li>&#8220;<span class=\"removed_link\" title=\"http:\/\/www.cbs.com\/innertube\/player.php?cat=115402\">Shark<\/span>&#8221;<br \/>\nRecent entire episode on CBS.com\u00c3\u00a2\u00e2\u201a\u00ac\u00e2\u201e\u00a2s own \u00c3\u00a2\u00e2\u201a\u00ac\u00c5\u201cInnertube\u00c3\u00a2\u00e2\u201a\u00ac? video player (Flash with RealPlayer)<br \/>\nSeparated into 5 parts with single ads 5 times per half-hour per show<\/li>\n<li>&#8220;<span class=\"removed_link\" title=\"http:\/\/dynamic.abc.go.com\/streaming\/landing\">Lost<\/span>&#8221;<br \/>\nRecent entire episodes on ABC.com&#8217;s own video player (Flash with third-party plug-in)<br \/>\nNot separated into parts with single-sponsor ad 2 times per half-hour per show<\/li>\n<\/ul>\n<p><span class=\"removed_link\" title=\"http:\/\/www.firesidechats.tv\/\"><img decoding=\"async\" title=\"Fireside Chats\" alt=\"Fireside Chats\" id=\"image52\" src=\"https:\/\/fwdlabs.com\/blog\/wp-content\/uploads\/fireside-chats.jpg\" \/><\/span><\/p>\n<p>But for video producers <em>without<\/em> network distribution deals, making a big impression is key. You need millions of viewers, not dollars, to be taken seriously. The famous user-generated video distributor, YouTube, recently paid reward to their <a target=\"_blank\" href=\"http:\/\/www.youtube.com\/members?s=ms&#038;t=a&#038;g=0\">most subscribed original hits<\/a>. (Many competitors &#8212; see our collective resource of <a href=\"http:\/\/fwdlabs.com\/resources\/social-video\/\">social video sharing networks<\/a> &#8212; already share ad revenue with their most popular distributions.)<\/p>\n<h2>Up-and-coming quality television<\/h2>\n<p>Example shows off the tube and on the internet, already in (or should be in) the news:<\/p>\n<ul>\n<li>&#8220;<a target=\"_blank\" href=\"http:\/\/profile.myspace.com\/index.cfm?fuseaction=user.viewprofile&#038;friendid=4463677\">Gay Robot<\/a>&#8221; (pilot only)<br \/>\nWhy watch? Adam Sandler team&#8217;s involved.<\/li>\n<li>&#8220;<a target=\"_blank\" href=\"http:\/\/www.youtube.com\/watch?v=uEYCN3hVTYI\">Nobody&#8217;s Watching<\/a>&#8221; (pilot only)<br \/>\nWhy watch? The CW&#8217;s ol&#8217; WB network passed it up.<\/li>\n<li>&#8220;<a target=\"_blank\" href=\"http:\/\/youtube.com\/profile?user=lonelygirl15\">Lonelygirl15<\/a>&#8221; (on-going series)<br \/>\nWhy watch? 10 million viewers and 93,000 subscribers, even after it was exposed as fake early-on.<\/li>\n<li>&#8220;<a target=\"_blank\" href=\"http:\/\/youtube.com\/profile?user=smosh\">smosh<\/a>&#8221; (on-going series)<br \/>\nWhy watch? YouTube&#8217;s all-time #1 broadcaster, for now, with 74 million plays.<\/li>\n<li>&#8220;<a target=\"_blank\" href=\"http:\/\/www.derrickcomedy.com\/\">DERRICKcomedy<\/a>&#8221; (on-going series)<br \/>\nWhy watch? Self-described improv between &#8220;silly and awful.&#8221;<\/li>\n<li>&#8220;Fireside Chats&#8221; (on-going series)<br \/>\nWhy watch? Regular screenings at UCLA are packed.<\/li>\n<\/ul>\n<p><a href=\"https:\/\/fwdlabs.com\/blog\/2007\/05\/23\/tv-shows-available-online\/#respond\">Other web shows thriving on- or off-line?<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wired Magazine ran a blog post on May 21, 2007 about failed TV shows going big, thanks to their online potential. It&#8217;s no mystery anymore that TV programs new, old or still in development show up online &#8212; often in the same night, legally or otherwise &#8212; and people tune in. When you&#8217;re not &#8220;on [&hellip;]<\/p>\n","protected":false},"author":43,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,7],"tags":[],"class_list":["post-50","post","type-post","status-publish","format-standard","hentry","category-film","category-web"],"_links":{"self":[{"href":"https:\/\/fwdlabs.com\/blog\/wp-json\/wp\/v2\/posts\/50","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fwdlabs.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fwdlabs.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fwdlabs.com\/blog\/wp-json\/wp\/v2\/users\/43"}],"replies":[{"embeddable":true,"href":"https:\/\/fwdlabs.com\/blog\/wp-json\/wp\/v2\/comments?post=50"}],"version-history":[{"count":2,"href":"https:\/\/fwdlabs.com\/blog\/wp-json\/wp\/v2\/posts\/50\/revisions"}],"predecessor-version":[{"id":7434,"href":"https:\/\/fwdlabs.com\/blog\/wp-json\/wp\/v2\/posts\/50\/revisions\/7434"}],"wp:attachment":[{"href":"https:\/\/fwdlabs.com\/blog\/wp-json\/wp\/v2\/media?parent=50"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fwdlabs.com\/blog\/wp-json\/wp\/v2\/categories?post=50"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fwdlabs.com\/blog\/wp-json\/wp\/v2\/tags?post=50"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}