{"id":3432,"date":"2012-09-28T09:00:49","date_gmt":"2012-09-28T16:00:49","guid":{"rendered":"http:\/\/fwdlabs.com\/blog\/?p=3432"},"modified":"2016-05-16T19:02:12","modified_gmt":"2016-05-17T02:02:12","slug":"looper-lessons-in-social-media-strategy","status":"publish","type":"post","link":"https:\/\/fwdlabs.com\/blog\/looper-lessons-in-social-media-strategy\/","title":{"rendered":"&#8220;Looper&#8221; Lessons in Social Media Strategy"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/fwdlabs.com\/blog\/wp-content\/uploads\/looper-painted-poster-324x480.jpg\" alt=\"\" title=\"looper-painted-poster\" width=\"324\" height=\"480\" class=\"alignright size-medium wp-image-3446\" srcset=\"https:\/\/fwdlabs.com\/blog\/wp-content\/uploads\/looper-painted-poster-324x480.jpg 324w, https:\/\/fwdlabs.com\/blog\/wp-content\/uploads\/looper-painted-poster-691x1024.jpg 691w, https:\/\/fwdlabs.com\/blog\/wp-content\/uploads\/looper-painted-poster.jpg 1280w\" sizes=\"auto, (max-width: 324px) 100vw, 324px\" \/><\/p>\n<p>Critical acclaim and spoilers aside, &#8220;Looper&#8221; is ripe for influence to other creatives. When the team is committed beyond press releases and junkets, when the marketing material is unbridled access and creative exploration, when the publicist isn&#8217;t always in control, good stuff shines. Most important of all, it helps bring a movie out of the theater &#8212; while it&#8217;s still there &#8212; to discuss at and  beyond the water cooler, the base camp, and the social newsfeed.<\/p>\n<ul>\n<li><strong>Honest Q&#038;A&#8217;s<\/strong>\n<p>Director Rian Johnson jumped on a <a href=\"http:\/\/www.reddit.com\/r\/IAmA\/comments\/10f1ky\/iam_rian_johnson_filmmaker\/\">Reddit AMA (Ask Me Anything),<\/a> which included an affirming quote regarding independent film financing and the ability to greenlight a realistic project:<\/p>\n<blockquote><p>I wrote Brick when I was just out of college, and basically spent my 20s trying to get it made. We had a producer break down the script, and we said &#8220;OK we need X amount to make it.&#8221; Then we started looking for that amount. And after years and years of failing at that, I met my producer Ram Bergman, who told me I was doing it wrong. I should see how much money I can scrap together right now, and then figure out how to fit my film into that amount. So that&#8217;s what I did. It wasn&#8217;t easy but we were able to get it made, we shot it in 19 days on 35mm for about $450k. This is before digital was really an option or at least before it saved you any money.<\/p><\/blockquote>\n<\/li>\n<li><strong>Conversational Tweets<\/strong>\n<p>Actor Joseph Gordon-Levitt, a <a href=\"https:\/\/twitter.com\/hitRECordJoe\">Twitter<\/a> aficionado in part thanks to his collaborative production company, <a href=\"http:\/\/hitRECord.org\/\">hitRECord.org<\/a>, has a handful of &#8220;Looper&#8221; posts, but the official <a href=\"https:\/\/twitter.com\/loopermovie\">@loopermovie<\/a> is both promotional and conversational, which is rad and rare.<\/li>\n<li><strong>Video Content with Depth<\/strong>\n<p>In a video interview with <a href=\"http:\/\/video.nytimes.com\/video\/2012\/09\/26\/movies\/100000001807738\/rian-johnson-on-looper.html\">The New York Times<\/a>, the director brings up a world where there&#8217;s no middle class. <a href=\"http:\/\/www.ign.com\/videos\/2012\/09\/26\/looper-is-time-travel-possible\">IGN<\/a> picked up a featurette questioning the possibility of time travel. And <a href=\"http:\/\/www.wired.com\/underwire\/2012\/09\/looper-time-travel-tropes\/\">Wired<\/a> went into the archive, looking at other time travel tropes. Each are great moves for starting discussion all over the place.<\/li>\n<li><strong>Candid Photographs<\/strong>\n<p>The director toted around his Leica M6 camera to shoot his own behind-the-scenes stills. <a href=\"http:\/\/www.ew.com\/ew\/gallery\/0,,20483133_20632848,00.html#21216366\">Entertainment Weekly<\/a> showcases 20 shots. It&#8217;s always great to see this, slightly moreso than a production&#8217;s Instagram account, and often much moreso than magazine editorial (unless Annie Leibovitz is involved, right?).<\/li>\n<li><strong>Bonus Content<\/strong>\n<p>The director&#8217;s cousin, <a href=\"http:\/\/zucherman.tumblr.com\/\">Zach Johnson<\/a>, hand painted 700 frames of the film which led to a poster and six prints, now on <span class=\"removed_link\" title=\"http:\/\/zacharyjohnson.goodsie.com\/\">sale<\/span>. The poster ties back to a fully rotoscoped (and therefore animatd) trailer that&#8217;s now out, thanks to a collaboration with Noah Fisher. Aisde from some sweet looping <a href=\"http:\/\/24.media.tumblr.com\/tumblr_mavk80ItnS1qaq9klo1_r1_500.gif\">GIFs<\/a> for your Tumblr, that&#8217;s some great synergy there. (That said, all the copies of the trailer on YouTube are bootlegs of the Apple.com Trailer file, rather than an official account. Oops.)<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Critical acclaim and spoilers aside, &#8220;Looper&#8221; is ripe for influence to other creatives. When the team is committed beyond press releases and junkets, when the marketing material is unbridled access and creative exploration, when the publicist isn&#8217;t always in control, good stuff shines. Most important of all, it helps bring a movie out of the [&hellip;]<\/p>\n","protected":false},"author":43,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,6,7],"tags":[],"class_list":["post-3432","post","type-post","status-publish","format-standard","hentry","category-design","category-film","category-web"],"_links":{"self":[{"href":"https:\/\/fwdlabs.com\/blog\/wp-json\/wp\/v2\/posts\/3432","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fwdlabs.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fwdlabs.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fwdlabs.com\/blog\/wp-json\/wp\/v2\/users\/43"}],"replies":[{"embeddable":true,"href":"https:\/\/fwdlabs.com\/blog\/wp-json\/wp\/v2\/comments?post=3432"}],"version-history":[{"count":1,"href":"https:\/\/fwdlabs.com\/blog\/wp-json\/wp\/v2\/posts\/3432\/revisions"}],"predecessor-version":[{"id":6121,"href":"https:\/\/fwdlabs.com\/blog\/wp-json\/wp\/v2\/posts\/3432\/revisions\/6121"}],"wp:attachment":[{"href":"https:\/\/fwdlabs.com\/blog\/wp-json\/wp\/v2\/media?parent=3432"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fwdlabs.com\/blog\/wp-json\/wp\/v2\/categories?post=3432"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fwdlabs.com\/blog\/wp-json\/wp\/v2\/tags?post=3432"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}