FWD:labs

When a Short Helps Make a Feature

  • Published in Film + Web

short-feature-examples

I was recently asked if short format work could lead to big picture deals. Instead of laughing off the incredibly unlikelihood, I looked at the data.

If you exclude filmmakers who just make a killer short film and subsequently get notoriety thanks to their name or affiliation (e.g. Disney’s “Paperman” by John Kahrs, who is now directing the feature “Shedd”), as well as commercially/celebrity-driven projects (e.g. “Dr. Horrible” by Neil Patrick-Harris), here’s a breakdown of the rare instances where independently-made short films and long-term web series garnered enough festival attention and/or fans to lead to feature film and broadcast deals, respectively.

SHORT FILMS

  • 1978 short (left) led to the 1981 feature, "The Evil Dead."

    This 1978 short (left) led to the 1981 feature, “The Evil Dead.”

    “Within The Woods” (1978) by Sam Raimi was the short made over three days for $1,600, which led to the feature film “The Evil Dead” in 1981. Watch the short on YouTube.
  • “Frankenweenie” (1984) by Tim Burton became a feature by the same name in 2012. Watch the short on YouTube.
  • “The Dirk Diggler Story” (1988) by Paul Thomas Anderson was the precursor to “Boogie Nights.” Watch the short on YouTube.
  • “Milton” (1991) by Mike Judge was a series of animated shorts that led the way to “Office Space.” Watch the short on YouTube.
  • 1992 short (left) for "Bottle Rocket" helped make the 1996 feature.

    “Bottle Rocket” in 1992 (left) helped make the 1996 feature.

    “Bottle Rocket” (1992) by Wes Anderson was a short film that went to Sundance before getting the opportunity to become a feature film with the same name in 1996. Watch the short on YouTube. Anderson also did a short called “Hotel Chevalier” (1997), although it was more so a supplement than a building block for some of his other feature films with the same cast and production aesthetic.
  • “Joe’s Apt.” (1992) by John Payson was originally a short before becoming an MTV-produced feature film (1996). Watch the short on YouTube.
  • The 1993 short (left) introduced us to the 1996 feature for "Hard Eight."

    The 1993 short (left) introduced us to the 1996 feature for “Hard Eight.”

    “Cigarettes and Coffee” (1993) is 24-minute short from Paul Thomas Anderson (who we mention above) which led to the feature film “Hard Eight” in 1996, which was his directorial debut. Watch the short on YouTube. Anderson also made a short in 2003 called “Couch” which starred Adam Sandler was somewhat related to his later feature, “Punch-Drunk Love.”
  • “Some Folks Call It A Sling Blade” (1994) by George Hickenlooper was the precursor to “Sling Blade” (1996). Watch the short on YouTube.
  • “The Hard Case” (1995) by Guy Ritchie was the 20-minute short that helped make “Lock, Stock, and Two Smoking Barrels” (1998), which then led to a single-season TV series called Lock, Stock… in 2000. Watch the trailer for the short on YouTube.
  • “The World of Tomorrow” (1998) by Kerry Conran was the 6-minute short film that was the 2005 feature film, “Sky Captain: The World of Tomorrow.” Watch the short on YouTube.
  • “Five Feet High and Rising” (2000) by Peter Sollett was a successful 30-minute short film that — after winning at Cannes, Sundance, SXSW, and more — eventually led to “Raising Victor Vargas” (2002). Watch the short on YouTube.
  • 2002 short (left) for "Napoleon Dynamite" paved the way for a 2004 feature.

    2002 short (left) for “Napoleon Dynamite” paved the way for a 2004 feature.

    “Peluca” (2002) by Jared Hess was the short before “Napoleon Dynamite” in 2004. There was even an animated television series in 2012 on Fox, who eventually cancelled it mid-season after six episodes. Watch the short on YouTube.
  • “Saw” (2003) by James Wan was originally a short film before it became one of many feature films by the same name. Watch the short on YouTube.
  • “Cashback” (2004) by Sean Ellis became a feature by the same name in 2006. Watch the short on DailyMotion.
  • Taika Waititi's short film (left) six years prior to his feature.

    Taika Waititi’s short film (left) six years prior to his feature.

    “Two Cars, One Night” (2004) by Taika Waititi was an Oscar-nominated short film before it was a baseline for the 2010 feature, “Boy.” Watch the short on YouTube.
  • “Gowanus, Brooklyn” (2004) was the 19-minute short that led to “Half Nelson” (2006) from both Ryan Fleck (co-writer and director) and Anna Boden (screenwriter). Watch the short on YouTube.
  • Neill Blomkamp's short in 2005 led to the "District 9" feature in 2009.

    Neill Blomkamp’s short in 2005 led to the “District 9” feature in 2009.

    “Alive in Joburg” (2005) by Neill Blomkamp was the short film whose story loosely became that of “District 9” in 2009. Watch the short on YouTube.
  • “The Customer Is Always Right” (2005) by Robert Rodriguez was the 3-minute short made both as a proof-of-concept (to get Frank Miller interested) and as a promotional piece, using a single scene as leverage before production started on the whole film, “Sin City” in the same year. Watch the short on YouTube.
  • 2005 short (left) for "9" led to the 2009 feature.

    2005 short (left) for “9” led to the 2009 feature.

    “9” (2005) by Shane Acker led to a feature by the same name in 2009. Watch the short on the director’s Vimeo.
  • “Oculus: Chapter 3 – The Man with the Plan” (2006) by Mike Flanagan led to the 2013 feature film, “Oculus.” Watch the trailer for the short on the director’s YouTube.
  • “The Replacement Child” (2007) by Justin Lerner was a 25-minute film so well received at film festivals, it led to the character portrayed by Evan Sneider being expanded in the feature film “Girlfriend” (2012), which received theatrical and also DVD/VOD distribution. Read our interview with the director or watch the short on the director’s Vimeo.
  • “Machete” (2007) was a fake trailer by Robert Rodriguez and Quentin Tarantino, which Rodriguez turned into the 2010 feature by the same name. Watch the trailer on YouTube.
  • “Jay and Seth versus The Apocalypse” (2007) by Jason Stone was a nine-minute short that led to the feature film “This Is The End” (2013). Watch the short on YouTube.
  • Posters for the 2008 short (left) and the 2013 feature of "Mama."

    Posters for the 2008 short (left) and the 2013 feature of “Mama.”

    “Mama” (2008) by Andrés Muschietti became a feature film in 2013 by the same name. Watch the short on YouTube. [Link updated 6/5.]
  • “Excision” (2008) by Richard Bates Jr. helped pave the way for the 2012 feature-length horror film by the same name. Watch the short on the production’s YouTube.
  • “Panic Attack!” aka “Ataque de Panico” (2009) by Fede Alvarez was a showcase piece of his VFX work. The YouTube upload that garnered so much interest in his work that he was given the studio feature film “Evil Dead” in 2013.
  • The 2009 short (left) and the 2013 feature for "Short Term 12."

    The 2009 short (left) and the 2013 feature for “Short Term 12.”

    “Short Term 12” (2009) by Destin Daniel Cretton began as a short film before becoming a 2013 feature-length film. Watch the short on the director’s Vimeo.
  • “Mary Last Seen” (2010) by Sean Durkin was a prequel to the feature film “Martha Marcy May Marlene” made in 2011. Watch the trailer on Vimeo.
  • “Hobo with a Shotgun” (2010) by Jason Eisener was made as a fake trailer for a contest, yet it led to the 2011 feature by the same name. Watch the trailer on the director’s YouTube.
  • “Fishing Without Nets” (2012) by Cutter Hodierne led to the feature by the same name in 2014. Purchase the short video-on-demand (VOD) at Vimeo.

WEB SERIES

As you’ll see, it’s very rare to make this work, and not as common a model anymore as it was 10 years ago. Today, if not just to do short-format work for the merits of the work itself, there’s now more than ever the opportunity to sell a short film download online, as a VOD business model. Or consider the commercial / branded content route, such as “Touching Stories” for the iPad in 2010. Either way, it’s super rare to walk away completely profitable from either approach.

Food for thought when making something to get somewhere else.


Author

Aaron Proctor
Founder, FWD:labs
Director of Photography site
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Commentary


When a Short Helps Make a Feature http://t.co/f5NpSDYKty #shortfilm #featurefilm #webseries #tvseries

fwdlabs #

RT @fwdlabs: When a Short Helps Make a Feature http://t.co/f5NpSDYKty #shortfilm #featurefilm #webseries #tvseries

aaronproctor #

@shortoftheweek Thought you guys might like this post we just published, specific to short films that spawn features: http://t.co/j1rPoPvC4l

fwdlabs #

Thanks, Erik! Updated the list.

fwdlabs #

The most common rationale that I hear from people who are making a short is not that they might parlay the short into a feature necessarily, but that it might create a buzz loud enough to put them on the radar as a producer or director who can deliver the goods. Also among many others missing from this list is the short sci-fi film The Gift

Mike #

…by Carl E. Rinsch which landed him 47 Ronin. Not to mention this amazing story from Reddit: http://www.reddit.com/r/IAmA/comments/11kt8o/iama_prufrock451_whose_reddit_story_rome_sweet/

Mike #

Definitely a great point, Mike! I wanted to focus this list on just the short stories that connected to features. Otherwise, the list would be huge. I attempt to make that point at the top when I mention “Paperman.”

fwdlabs #

Very well researched and thought-out commentary about this question. Good job Aaron!

Bob Liscano #

[…] assertion that a short film can be a pivotal stepping stone to a feature. Aaron Proctor from Fast Forward recently collated an excellent compilation of these rare occurrences—the magical instances where […]

Is a Short the Stepping Stone to a Feature? | Short Film #

Great article! Especially if you’re curious about transitioning a short into a feature film. Thanks, Aaron Proctor! http://t.co/ISFfrjgzXf

Chilipeppergurl #

[…] and other success stories speak to the potential of the short as “a stepping stone” to bigger and better things. But if […]

Why Make Short Films? #

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